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Mazda Nagare Concept
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After presenting three concept vehicles in recent times – Sassou at the
2005 Frankfurt Motor Show, Senku at the 2005 Tokyo Motor Show and Kabura at
the 2006 Detroit Motor Show – Mazda’s global design team wasn’t about to
rest on its laurels. To keep energy levels brimming and to begin the
process of evolving Mazda’s design and surface language for future vehicles,
Mazda’s design division has invented a new surface language called Nagare
which is currently on display at the Los Angeles Motor Show. Nagare: (pronounced “na-ga-reh”) Japanese for ‘flow’ and the embodiment of
motion. Under the direction of Mazda’s new global design director, Laurens
van den Acker, the challenge given to the team was to invent a novel means of
registering motion in vehicles whether they’re moving or still. Nagare achieves
that goal while also signaling a fresh design direction for future Mazda
vehicles. Nagare is the first of a series of design concepts – some closer to actual
production vehicles than others – that Mazda will showcase in coming months,
including Los Angeles, Detroit, Geneva and Tokyo. Franz von Holzhausen, Mazda North American Operations’ (MNAO) Director of
Design and the man responsible for leading the US-based design team which
developed this vehicle, explains, “We’re looking well down the road with Nagare.
We want to suggest where Mazda design will be in 2020. To do that, we redefined
basic proportions and the idea of driving without losing the emotional
involvement. Mazda’s driving spirit will be enhanced and intensified by Nagare." “Mazda doesn’t produce concept cars to spin its wheels and while some are
more forward-looking than others, we simply do not create pure flights of
fantasy. We develop these ideas to demonstrate what we really intend to build
and sell. It took soul-searching along with basic research to invent the new
surface language we’re calling Nagare. The dynamic qualities of Mazda products
already do an excellent job of capturing the spirit of motion so our goal was to
move our design language a major step beyond what we’ve already demonstrated
with Sassou, Senku, and Kabura." von Holzhausen continues, “We began by studying motion and the effect it has
on natural surroundings: how wind shapes sand in the desert, how water moves
across the ocean floor and the look of lava flowing down a mountainside.
Natural motion registers an impression in your brain and that’s what we hoped to
capture with the new Nagare surface language. “Once we started sketching our ideas, we weren’t surprised to find similar
quests underway in other product design disciplines. We found examples of motion
influencing the shape and surface of furniture, architecture, apparel and
artwork. Nagare undoubtedly proves our confidence in identifying a new and
exciting visual language for Mazda as we lead the way in defining the
interaction of motion and flow in automobile surfacing." “We began by developing a surface or textural language that describes flow.
The motion of the vehicle is defined by, and evident in, the texture of its
interior and exterior surfaces. There is no right or wrong way to capture the
impression of motion, so each of the concepts we present throughout this global
show season will embody a different interpretation of our new surface language.” CONCEPT OF A CONCEPT von Holzhausen describes Nagare as “a concept of a concept.” It’s
intentionally a celebration of proportions and surface language that will evolve
in subsequent designs planned for presentation at future autoshows this season.
In other words, design first, engineering later at this point in the process, in
contrast to the classic ‘form-follows-function’ approach. Adds van den Acker, “It’s important to start with the vision first: Nagare is
sculpture on wheels, our vision of what Mazda automobiles could look like in
2020. The concept we’ll present in Detroit is practical enough to produce in the
next decade, while the model under development for Geneva will embody design
ideas we expect to implement in the very near future.”
PACKAGE Like many Mazda products, Nagare has the soul of a sports car. Its shape is
sleek and aerodynamically efficient, as you’d expect of an urban cruiser for the
future. Wheels are positioned at the far corners of the envelope for quick
steering response and agile manoeuvrability. There isn’t an ounce of overhang
wasted. Access to the four-place interior is provided by two double-length doors that
hinge forward and up like the wings of a butterfly. The driver is centrally
located, like a single-seat sports racer, for optimum control and visibility.
Since the driver is positioned under the highest portion of the roof, there’s
ample headroom with a comfortably reclined backrest. Nagare’s rear compartment is a wrap-around lounge offering relaxed
accommodations for three passengers. The central front seat and expansive door
opening facilitate easy entry to the surprisingly roomy interior. Recognising that an advanced design concept needs an advanced powertrain,
Nagare could conceivably be powered by a hydrogen-fueled rotary engine. Mazda’s
work on this advanced driveline technology is among the most advanced in the
world, with hydrogen/petrol-fueled rotaries powering RX-8s currently in
service in Japan. SURFACE TEXTURE REGISTERING FLOW MOTION Nagare’s side surfaces provide a means of visualising the air flowing along
and over the car as it speeds through the atmosphere. Light and shadow combine
to convey this feeling of motion even when the car is still. Similar hints of
fluid flow are evident in the hood, wheel arches, LED head- and tail-lamp
treatments. The same surface language plays throughout Nagare’s interior; the
instrument panel, centre console and door panels all appear to be influenced by
flow. Notes von Holzhausen of the vehicle, “Beauty is not a clean sheet of paper.
Nagare’s motion-influenced surface texture compliments its dynamic attributes.
Because of Mazda’s sporty essence, we never wrap our customers in boxes." “Our new surface language is car-centric. After studying the architectural
approach, which tends to be strictly rigid and the organic approach, which is
highly fluid, we created Nagare to straddle those two disciplines. It is fluid,
graceful and dynamic. But the message it registers on the beholder is
flow-motion.” GLOBAL DESIGN EFFORT To give Mazda products sold in far-flung global markets a common design
theme, the three global design studios, located in Irvine, California,
Frankfurt, Germany and Yokohama, Japan are inspired, guided and encouraged by
Laurens van den Acker, the firm’s global design director, located at the
company’s headquarters in Hiroshima, Japan. Future concepts embracing the Nagare
flow design discipline will evolve under van den Acker’s oversight as the
coming show season unfolds. |
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