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Jaguar C-XF Concept Car
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"Great Jaguars turn heads in the street. They make people stop and pay
attention. They evoke instant desire. That's what the C-XF does and that's what
the next generation of Jaguars will do." The Jaguar C-XF concept car signals the onset of a new era for Jaguar. A
stunning, four-door sports saloon which blends design purity with unmistakable
dynamism, the C-XF is a clear indication of the design direction that the next
generations of Jaguar saloons will take. And you can expect to see the XF, based on the C-XF concept, late next year. Designed by the same teams that produced the award-winning Jaguar XK sports
car range in 2005 - headed by Jaguar Director of Design Ian Callum and Head of
Advanced Design Julian Thomson - the C-XF concept is a precursor to cars that
will become recognised for their ground-breaking exterior looks and innovative
interiors. As a striking interpretation of the design values that are the bedrock of
every great Jaguar, the C-XF is wholly contemporary yet succeeds in paying
homage to its renowned predecessors. "The C-XF - and the future generations of sports saloons it signals -
reaffirms the direction Jaguar is taking," says Bibiana Boerio, Managing
Director of Jaguar Cars. "When we launched the new XK sports car series, we
talked about a product-led transformation of the company. We promised that new
Jaguars would be beautiful, fast, glamorous and evocative. The new XK delivered
on that promise and the C-XF proves that these same values and more are coming
in Jaguar saloon cars." DESIGN PHILOSOPHY The C-XF is a confident statement of design purity and efficiency. It
possesses a sense of latent power that conveys dynamism and movement even when
the car is stationary. But the design language of C-XF is about more than just
performance and power - it also succeeds in blending many of Jaguar's unique
heritage styling cues with bold, contemporary features, signalling how Jaguars
will evolve as new generations of sports saloons go into production. "Throughout its history Jaguar has created some of the most striking, modern
and beautiful sports saloons imaginable and our objective with C-XF was to
recognise those principle design disciplines," explains Ian Callum. "The values
that I see in Jaguar aesthetics include purity, dynamism, latent power, balance
and modernity." Those Jaguar values are instantly recognisable in earlier iconic models.
Founder Sir William Lyons demanded the same aesthetic correctness and every one
of his legendary designs proved his skill in designing some of the most attractive
cars of all time. The C-XF's design team took inspiration from some of Lyons' greatest cars,
including the 1950 Mark VII and 1959 Mark 2 saloons. Their attractive flowing
lines were influenced by some of the great sporting Jaguars of the era including
the XK120 and both display that extraordinary feeling of latent power that so
signifies a Jaguar. Ensuring that C-XF, while still a saloon, possessed the sporting profile
expected of every Jaguar required maximum design efficiency - the whole exterior
'skin' had to be as tight as possible to the body architecture. This focussed
the Jaguar design team on designing a car that Ian Callum describes as "the
absolute definition of athleticism", a performance-oriented sports saloon that
is still inherently practical and capable of carrying four people in total
comfort. C-XF has a taut beauty, but it is also a car that will challenge people's
preconceptions about Jaguar; it has an edginess that exudes a sense of
underlying menace. "Jaguars should be perceived as cool cars," says Ian Callum, "and cool cars
attract interesting, edgy people. The next generations of Jaguars will do just
that." DESIGN (EXTERIOR) "Jaguars need a distinctive grille, a face," says Ian Callum. "It's the
classic 'car in the rear-view mirror' look, with everything powering rearwards
from the grille. The C-XF is a perfect example of how to execute this
successfully." The headlamps which evolve the twin-lamp motif seen on previous Jaguars into
a single slim wedge, are narrow and angular. They bring an air of aggression to
the C-XF's profile, while between the lamps a blue streak of light reveals an
almost cat-like iris when illuminated. Subtly etched below the lenses is a
unique 'tattoo' design showing an abstract Jaguar leaper logo - a tattoo that is
repeated in the treadplates of the door sills and in the tread of the bespoke
Pirelli tyres that surround the 21-inch machined, polished aluminium wheels. Running backwards from the nose of the C-XF is the main feature line of the
car - an unbroken shoulder that flows beneath the cabin glassline and into the
haunch over the rear wheel. It is this feature, a modern interpretation of
renowned Jaguar sports saloons from history, that endows C-XF with its latent
power. A similarly simple line can also be seen on the new XK range and is one
of the design cues that will carry forward onto the next generation of
Jaguars. Above the shoulder line sits a low and sporting cabin with aluminium
brightwork highlighting the coupe feel of the car. Further sporting lines are
accentuated by the muscular bonnet and the side power vents that have a
functional white ceramic finish. At the rear of the C-XF a very sculptured shoulder flows from the C-pillar
into a tight, aggressively tapered tail that clearly displays traditional Jaguar
design cues yet succeeds in striking an incredibly modern feel. When seen from
behind, C-XF is noticeably wide and powerful, a look accentuated by the large
rear diffuser. The basic principle of diffuser technology sees air being drawn
from beneath the car to force a low pressure area that improves cornering grip
at higher speeds. The C-XF's colour palette is deliberately monochromatic, mixing a one-off
exterior paint - Metashine silver - with areas of brightwork in either chrome or
aluminium finishes. Additionally, white ceramic is used to indicate areas of
dynamic air flow or heat exchange - in this case the side power vents and
tailpipes. "The colour choice for the C-XF was very deliberate and is a key part of its
overall dynamic," says Head of Advanced Design, Julian Thomson. "We describe the
effect as 'tone on tone' - we want people to think about the materials, the
textures and how they interact with the functions of the car." Thomson continues: "The tonality has a functional aspect but also extreme
beauty; mechanical designs that are fit for purpose are often beautifully
designed - we've taken our inspiration from machinery as diverse as aircraft to
cameras in seeking to make the car look like it was milled from a solid piece of
metal." INTERIOR The emphasis is on tailored performance rather than pampered luxury and
nowhere is that better demonstrated than in the lightweight, sculpted
bucket-style front seats. Trimmed in semi-aniline leather (a specially dyed hide
which ensures even colouration yet retains its softness) the seats are
sports-styled yet also offer impressive comfort thanks to a deeply padded lumbar
area with ventilation cavities. Twin individual bucket seats house the rear-seat
passengers. Between the seats runs a tall central transmission tunnel that gives the
occupants a sense of sitting deep within a futuristic cockpit. One of the keys
to any Jaguar interior is that occupants should feel as if they are enclosed in
the car, not sitting on it. The C-XF's interior cossets in just such a way,
providing an inviting cabin for passengers to slip into, rather than surrounding
them with open space. The 'tone on tone' theme that has been applied to the exterior of the C-XF
has been carried through to its interior, with a sensational blend of materials,
graphic elements and innovative technologies. The focal point of the interior is a sweeping brushed aluminium facia that
wraps around the cabin in a dynamic linear graphic that instils a sense of
velocity. The counterpoint to the aluminium is a combination of leather and wood
that takes detail of finish to a new level. What at first sight may seem to be a simple black interior is actually a
sophisticated and contemporary blend of materials including a unique
carbon fibre pattern leather and luxurious semi-aniline leather. Areas of the
doors and transmission tunnel have been carved from Poplar wood and then
scorched to obtain a rich satin feel. This finish was perfected by artist Clive
Sheridan, who produced these burnt wood forms. "These unusual finishes allow us to explore new ideas and themes," says
Alister Whelan, one of the designers responsible for the C-XF's interior.
"Jaguar is recognised for tailoring cars in wood and leather, but we have turned
that on its head by treating these traditional materials in an unusual and
contemporary fashion, obtaining beautiful textures and grains." Whelan continues: "And by using non-grain leather on the seats, it looks like
they are moulded from neoprene. It was a deliberate choice not to put any
stitching on them - in fact, there is no visible stitching on the interior at
all, it just appears to be entirely wrapped in leather." INNOVATION "C-XF is a showcase for innovative technology, some of which will feature in
one way or another on the next generation of Jaguar cars," says Ian Callum.
"Every Jaguar interior should have a sense of fun, but we also recognise that
technology should only be there when you want to use it. Yes, there is a sense
of theatre about the innovations we have chosen to highlight on the C-XF, but
there is also an organised simplicity that brings order and structure to every
system." Perhaps the most theatrical of the features Callum references is the starting
sequence. Sink into the C-XF driver's seat and a jewel-like Power button pulses
on the centre console - its rhythm representing the 'heartbeat' of the car.
Press the button and beneath your hand concentric aluminium rings spiral
downwards to allow the new circular JaguarDrive Selector to nestle directly in
your palm. Then, as the engine starts, a beam of blue light radiates from the
centre of the instrument panel, chases its way around the cabin and finally
envelopes the rear seats. Overhead, an electro-luminescent panel spanning the
entire rooflining bathes the interior in a muted blue light to give a feeling of
ambience and space. Outside, a burst of blue light from the front grille marks
the moment the car's engine fires into life. "We want Jaguars to feel like they are coming alive when you start them,"
says Interior Designer Alister Whelan. "The starting sequence achieves this
through the combination of movement and light, creating a sense of theatre and
delight. It is a development of the ambient illumination we introduced on the
R-D6 concept car and the best example yet of how you can create a mood within a
car." Visually coming to life when being started is one thing, but sensing the
requirements of an occupant without physical touch is a further, significant
leap forward again. The introduction of a new prototype technology, called
JaguarSense, sees four sensors hidden within the doors react to the sweep of
your hand as it passes over them. Once activated, the inner door handles -
previously hidden - motor outwards ready to be used. A fifth sensor, located in the facia, responds to the proximity of your hand
to reveal an infotainment screen that lies flush within the aluminium front
panel. The sequence continues with the centre section of the dashboard rotating
90 degrees to display an advanced Dual View screen which is capable of
projecting two different images to the driver and passenger simultaneously. For
example, the driver can view satellite-navigation instructions while the
passenger watches a DVD-based movie. The Dual View system works by utilising a parallax barrier to divide light
into individual viewing cones for the passenger and driver, allowing each
front-seat occupant to view their own personalised display. The Dual View
system, which has been developed for Jaguar by mobile media specialists Alpine,
uses a 262,144 colour amorphous silicon TFT screen. Also contained within the rotating panel are air vents that, like the screen,
are hidden from view until the driver requires them. This is in complete harmony
with the overall sophistication of the driver environment. Behind the
single-spoke steering wheel with 'floating' gear-selector paddles sits a dial
cluster that has been inspired by the cockpit of an airplane. The main central
dial - the rev counter - has graphics reminiscent of an artificial horizon
instrument from an aircraft. The dials also respond to the way C-XF is being
driven. If the driver puts the transmission into sporting Dynamic mode, the rev
counter motors outwards (in the way a long lens on an SLR camera operates),
ensuring its increased prominence. Driving C-XF in a more relaxed manner would allow occupants to enjoy an audio
experience of the highest quality. Visually stunning honeycomb speaker panels
are set into the rear parcel shelf and front facia top. Designed by Jaguar and
created by leading British loudspeaker manufacturer Bowers & Wilkins, the
beautiful cat's eye-shaped designs are aesthetic yet functional works of art. "Bowers & Wilkins is renowned for its audio engineering expertise," says
Julian Thomson, Head of Advanced Design, "Its dedicated pursuit of the perfect
loudspeaker has led to many design innovations, including the use of materials
such as Kevlar and diamond. It is no surprise that B&W speakers serve as the
'audio reference' speaker at London's famous Abbey Road Studios. "The speaker panels provide a perfect aesthetic while serving a unique
function. The honeycomb Micro-Matrix ensures rigid mounting and at the same time
improved speaker performance. They are beautifully crafted pieces of engineering." All of these features are prime examples of how the introduction of new
technologies can be implemented by blending simplicity of design with practical
innovation - and more importantly they give an early preview of what lies ahead
for Jaguar customers. POWERTRAIN (COMPONENTRY) And the technology advances continue here, too, with the electrical
architecture for the 4.2-litre engine encased in a unique carbon-fibre wiring
'loom'. Designed and constructed by Beru F1 Systems, the electrical 'spider'
harness is extremely functional. "The new wiring loom is a designer's dream," says Julian Thomson. "We thought
we would always have to live with the plethora of wires that runs around an
engine bay. Now every wire is housed within a visually stunning harness that
looks as if it is literally strapping the engine down, holding all that power in
place." The C-XF is the first car ever to use Beru F1 System's unique Wire in
Composite (WIC) technology. WIC completely encloses
all wiring in a bespoke carbon-fibre sleeve, protecting it from damage and also
improving durability, packaging, weight and aesthetics. As the first vehicle to
use the technology, the C-XF leaps ahead of upcoming debuts in both Formula 1
motor racing and the aerospace industry - and allows Jaguar to further
investigate production car potential for the system. "The Jaguar C-XF concept is the most dynamic and modern four-door car
that Jaguar has ever created, a design showcase heralding the next generations
of our sports saloon models. It signals a future for Jaguar that is as exciting
as the C-XF itself." The production model to be based on the C-XF concept will be known as XF. A
European release of this new model, which will replace the S-TYPE, is expected in
mid-2008. An Australian release is anticipated in late-2008. |
ABN 47106248033 |
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